Michelle Kasprzak is a Canadian curator and writer based in Amsterdam, the Netherlands. She has appeared in Wired UK, on radio and TV broadcasts by the BBC and CBC, and lectured at PICNIC. She founded one of the world’s leading art curating blogs, Curating.info. She has written critical essays for Rhizome, CV Photo, Mute, and many more. Michelle is currently a Curator at V2_ Institute for Unstable Media, Project Director at McLuhan in Europe 2011, and a member of IKT (International Association of Curators of Contemporary Art).
transmediale Award 2011 Jury member Micz Flor has been working as a media developer, writer and project manager with the Internet since 1995. In 1997 he won the Net-Art award of the Hamburger Kunsthalle and in 1998 the “Multimedia-Preis der Landeshauptstadt Stuttgart”. Besides invitations to Ars Electronica, ISEA (Chicago 1997, Manchester 1998), documenta X (1997) and next 5 minutes, he worked at Salford University in Manchester and the University of Weimar.
transmediale Award 2011 Jury member Marisa Olson is New York based, artist, curator, and professor. She studied Fine Art at Goldsmiths College-London, History of Consciousness at UC Santa Cruz, and Rhetoric at UC Berkeley. Her work combines performance, video, drawing & installation to address the cultural history of technology, the politics of participation in pop culture & the aesthetics of failure.
transmediale Award 2011 Jury member Defne Ayas is a curator and educator specialising in new media and performance and cross-cultural projects. Based in Shanghai since 2006, Ayas works as a director of programmes to Arthub Asia, and as an art history instructor at New York University in Shanghai.
transmediale Award 2011 Jury member Brandon LaBelle is a Berlin based artist and writer. His work aims to draw attention to the dynamics of sound as it is found within spaces and objects, public events and interactions, language and the body. Through a performative interaction with objects, found-sound, and minimal electronics, the work draws attention to the quality and nature of what is already there through an emphasis on and displacement of listening and interaction, as a technological and architectural glitch.