With this project the Australian games theorist Mez Breeze examines how processes of knowledge production and entertainment models change under the influence of artificially generated stimuli. The work belongs to the “Augmentology 1[L]0[L]1_project“ which addresses how information is absorbed within artificial environments making its insights accessible via a link-in system

This performative-acoustic installation by the Indonesian art collective HONF (House of Natural Fibre) is a response to the religiously motivated, national prohibition of alcoholic drinks in public space. This project highlights not only the often fatal consequences of illegal and unsanitarily produced methanol but moreover points to risk-free fermentation methods of easily available tropical fruits.

Evan Roth (us) is another name you might remember from transmediale.10 as well as a diverse range of projects worldwide. Then nominated for the transmediale Award as one of the F.A.T. Lab members, Roth is now nominated with this solo-project---a software allowing graffiti artists to archive, analyse and process their bodily writing gestures.

The American artist Mark Shepard has created a navigation-app which doesn't only lead us the way to our chosen destination but in fact rouses us from our daily routines---En route we're invited to complete sometimes surprising tasks and thus to explore and experience our urban surroundings in new and astounding ways.

This interactive sound installation by Christopher Warnow and Daniel Franke is more than just an interpretation of a composition by Rutger Zuydervelt.  An interface that reacts to the audiences' body movements, this work immerses the viewer by superimposing digital and architectural spaces.  For each one of us a different, individual and fluid visualisation appears onscreen.

With her poetic manifesto Brazilian artist Vanessa Ramos-Velasquez transfers ideas around cultural cannibalism and anthropophagic practices coined by her countryman Oswald de Andrade's in his text "Manifesto Antropófago“ from 1928 into the present digital age---For in today's world, it is the virtual world which poses the new frontier making everyone a potential coloniser.

The collaboration between artist/researchers Garnet Hertz and Jussi Parikka seeks to open up the term 'media archaeology' in order to use it as an art practice to excavate bodies of memory held not only by the human mind but also especially by the media themselves.  Thus turning to objects, chemicals and electronic circuits, Hertz and Parikka operate in close vicinity to such practices as DIY, circuit bending or hardware hacking.

A film by British artist duo Mirza/Butler following a series of visits to Karachi, Pakistan: subjective impressions and experiences regarding the collaboration with many different local professionals as well as a critique of the complex role of international and local media as crucial ideological mediators.

A technological composition project by Canadian artist duo [The User] (Emmanuel Madan / Thomas McIntosh) in which the mundane ticking of a clock is transformed into the source of complex acoustic structures in homage to Hungarian composer György Ligeti's Poème Symphonique.

A glowing 4m sphere of hundreds of energy saving light bulbs created by artist Wang Yuyang (cn): A poetic allusion to the changing roles of technology and environment, nature and artificiality as well as the, since 1969, still unresolved claiming of the moon between East and West.

The American art and design collective Sosolimited (Justin Manor / Eric Gunther / John Rothenberg) has been nominated with their performance project ReConstitution, a live remix of broadcast television, and a format originally configured for the 2008 presidential elections.

An audiovisual installation by the artist Félix Luque Sánchez (es). A peculiar, geometric object releasing a code of light and sound: synthetically generated images destabilise the viewers' faith in their own perception.

The Laboratory Planet is a periodic journal of philosophy, science and critical writing on technology, discussing geostrategic and tactical media as well as speculative issues lurking behind the ambiguous headlines of the mainstream press.

The video artist Perry Bard invites people to a collaborative web-based, database-generated montage experiment.

The telephone-installation is a memorial to the more than 3 million people who have perished in the complex wars that have gone on in the Congo since 1998, often referred to as the 'Coltan Wars'. The ore coltan is used as the raw material for the metal tantalum, which is an essential component of mobile phones and computers.

Reynolds’s video installation Six Apartments is a poetic narration of resignation and decline which documents the life of six people in their apartments. The inhabitants live isolated, unaware of each other, without drama – they eat, sleep, watch television – even though their lives are overshadowed by mass media generated problems of the larger world and the upcoming ecological crisis.