With her poetic manifesto Brazilian artist Vanessa Ramos-Velasquez transfers ideas around cultural cannibalism and anthropophagic practices coined by her countryman Oswald de Andrade's in his text "Manifesto Antropófago“ from 1928 into the present digital age---For in today's world, it is the virtual world which poses the new frontier making everyone a potential coloniser.
In this essay the American media theorist Jordan Crandall explores new approaches to analyze the calculating techniques of tracking technologies. Crandall posits "program" as his key analytical and structural principle to determine the new hybrids these algorithmically augmented technologies promote.
The collaboration between artist/researchers Garnet Hertz and Jussi Parikka seeks to open up the term 'media archaeology' in order to use it as an art practice to excavate bodies of memory held not only by the human mind but also especially by the media themselves. Thus turning to objects, chemicals and electronic circuits, Hertz and Parikka operate in close vicinity to such practices as DIY, circuit bending or hardware hacking.
The Laboratory Planet is a periodic journal of philosophy, science and critical writing on technology, discussing geostrategic and tactical media as well as speculative issues lurking behind the ambiguous headlines of the mainstream press.