This event brings together participants of the Researching BWPWAP workshop that preceded transmediale and was focused on the question of how BWPWAP can be interpreted in the context of research culture. This process culminated in the production of a peer-reviewed research newspaper—itself an experiment in new forms of scholarly publishing.
Instrumentarium is a performance series for musicians in separate rooms orchestrated by Berlin sound artist Boris Hegenbart in collaboration with various guest musicians. For the Special Edition BWPWAP and The Golden Age, he invited avant-garde cosmonaut Felix Kubin. Together they lift Instrumentarium to a new level and present the performance from a far away place: Pluto.
This panel adopts the concept of “Disrupting Bureaucracy” as a comparative standpoint to analyze grassroots artistic interventions in the digital and analog framework of contemporary social networking.
Coded Narratives (CN) is a retro-futuristic, campfire type of experience for the audience as active participants, articulated by the proto-programming language of Morse Code, declared dead in 1999.
This world premiere of the new live A/V set of People Like Us (PLU) is presented in an exclusive transmediale and CTM edition that applies a collage approach to networks in which ideas, images and sounds travel in between the mundane and the unexpected. >> Read more.
In Movement Materials and What We Can Do, Andrew Norman Wilson employs corporate, academic and artistic lecture techniques to the intertwining concerns of his projects Workers Leaving the Googleplex and ScanOps.
Kyle Evans' de/Rastra is an oscillographic synthesizer, a real-time audio/video instrument and computer-interfacing device that generates visualizations intrinsic to cathode ray tube technology while simultaneously creating the acoustic analog of the displayed imagery.