You can apply for for transmediale 2013 + CTM.13 Press Accreditation from November 5, 2012 until January 15, 2013.
transmediale 2013 + CTM.13 reserve the right to evaluate the applications and also to deny your request. Following approval you will receive a confirmation email with further details. Please note that due to limited capacity of CTM.13 venues, CTM is very strict with press accreditations. For this reason a number of applications may only be approved for transmediale events. Journalists with proven intent to review to special events may register through the CTM press office, when event details are announced.
The transmediale 2013 + CTM.13 Press Accreditation grants access for one person to all transmediale 2013 and most CTM.13 events (exceptions TBA). When you purchase the transmediale 2013 + CTM.13 Press Accreditation, you will receive a free copy of both the CTM.13 and transmediale 2013 program catalogue.
The administrative charge for accreditation is 15 EUR (incl. 7% VAT).
As an overall conceptual road-map to the yearly changing themes, at transmediale 2013 we also initiate the “file_under:” framework as an ongoing conceptual discussion surrounding the festival and our all-year programme. The “file_under:” activity will take place through workshops between partner organisations, public discussions at the festival and all-year events, experimental forms of documentation and publications. >> Read more.
Coded Narratives (CN) is a retro-futuristic, campfire type of experience for the audience as active participants, articulated by the proto-programming language of Morse Code, declared dead in 1999.
This world premiere of the new live A/V set of People Like Us (PLU) is presented in an exclusive transmediale and CTM edition that applies a collage approach to networks in which ideas, images and sounds travel in between the mundane and the unexpected. >> Read more.
In Movement Materials and What We Can Do, Andrew Norman Wilson employs corporate, academic and artistic lecture techniques to the intertwining concerns of his projects Workers Leaving the Googleplex and ScanOps.
Kyle Evans' de/Rastra is an oscillographic synthesizer, a real-time audio/video instrument and computer-interfacing device that generates visualizations intrinsic to cathode ray tube technology while simultaneously creating the acoustic analog of the displayed imagery.
The programme follows four threads: Users, Networks, Paper, Desire. The festival will look at what these threads meant BWPWAP, what they are today and how they will develop in the future. >> Read more.