Cat Suzette plays with her audience, adapting her music to the prevailing mood and then, ultimately, transforming the atmosphere of the room. In this way, her sets can start off with trancey sounds that segue into narrative dub techno and end with ‘robust’ hardness and bouncy 4/4.
What is the currency for the cultural enterprise of the future? Cultural producers and artists produce a multiplicity of values, most of which are immaterial. It is difficult to translate cultural values into adequate market values: how do you determine the economical value of cultural work?
Together with a selection of guests this session will sum up the results and insights the Free Culture Incubator has generated during the past days. What can be done beyond the festival's lifespan?
Whilst traditional enterprises conjure up their corporate identity, the creative sector proudly points to its heterogeneity. Cultural producers however must find a language with which they can reach the public and be economically successful. How much corporate identity does a cultural enterprise need – and how does one communicate this identity?
Cultural forms of organisation hardly ever develop on the basis of strategic considerations but rather cluster around the individual needs of a specific project. Which models of organisation make sense in the field of art and the creative industries and how will the cultural enterprise of the future look?
Due to the economic crisis the creative industries have become a location factor praised by politicians as a growth market poised to outperform the car industry. In which way has this new framework changed the relation between art and capital? Maybe the norm of the economy supporting the growth of culture is due to be reversed?
Tonight, 2 February 2010, we have finally made it! transmediale.10 no longer belongs to the future but is the present! Come and celebrate with us as the festival opens at the House of World Cultures tonight. It is free of charge and no ticket is needed except for the speeches in the auditorium. Welcome – and launch yourself into Futurity ...Now!
Workshop RECLAIM THE STREETS
The workshop is organised by Susa Pop / Public Art Lab, initiator of the MEDIA FACADES FESTIVAL EUROPE 2010 in cooperation with the festival partner institutions m-cult / Helsinki, FACT / Liverpool, iMAL / Brussels, Ars Electronica Futurelab / Linz, Kitchen Budapest and Medialab-Prado / Madrid - hosted by Christian Zoellner and Tobias Fischer of VR/urban.
Wifi Camera Workshop, Day Two - Let's look at the results.
Learn how to read and visualize wifi camera logs. Find interesting patterns. We will collect all the data logs from the cameras and write code to visualize the data, make images and interpret those images.
Wifi Camera Workshop, Day One - Build the camera.
Learn basics on cantennas, drill and cut a can, mount electronics and servo. After building and testing the cameras, participants will bring the cameras to take pictures in locations of their choice.