What is the currency for the cultural enterprise of the future? Cultural producers and artists produce a multiplicity of values, most of which are immaterial. It is difficult to translate cultural values into adequate market values: how do you determine the economical value of cultural work?
Together with a selection of guests this session will sum up the results and insights the Free Culture Incubator has generated during the past days. What can be done beyond the festival's lifespan?
Whilst traditional enterprises conjure up their corporate identity, the creative sector proudly points to its heterogeneity. Cultural producers however must find a language with which they can reach the public and be economically successful. How much corporate identity does a cultural enterprise need – and how does one communicate this identity?
Cultural forms of organisation hardly ever develop on the basis of strategic considerations but rather cluster around the individual needs of a specific project. Which models of organisation make sense in the field of art and the creative industries and how will the cultural enterprise of the future look?
Due to the economic crisis the creative industries have become a location factor praised by politicians as a growth market poised to outperform the car industry. In which way has this new framework changed the relation between art and capital? Maybe the norm of the economy supporting the growth of culture is due to be reversed?
The transmediale.10 Salon consists of several different programmatic clusters. Besides the traditional lectures participatory projects by international media artists and activists will be presented in the so-called 'Futures Exchange'. D.I.Y. and the collective research of ideas are also at the core of the talks and workshops offered within the Free Culture Incubator. ...more
Workshop RECLAIM THE STREETS
The workshop is organised by Susa Pop / Public Art Lab, initiator of the MEDIA FACADES FESTIVAL EUROPE 2010 in cooperation with the festival partner institutions m-cult / Helsinki, FACT / Liverpool, iMAL / Brussels, Ars Electronica Futurelab / Linz, Kitchen Budapest and Medialab-Prado / Madrid - hosted by Christian Zoellner and Tobias Fischer of VR/urban.
Max Senges (1978) works in Google's Policy Team in Berlin to liaise and collaborate especially with colleagues from academia and civil society in Germany, Switzerland and Austria.
Part research-station, part media-laboratory, part docking-module, the structure of the Futures Exchange in the HKW foyer, designed by the Berlin architecture practice Raumlabor, will house interdisciplinary, process-based projects exploring the notion of futurity as a cultural construct.
We are facing a new economic reality where traditional industries have been replaced by the creative sector, with creativity and networks ousting steel and coal. Maybe the norm of the economy supporting the growth of culture is due to be reversed? (...more)
Ilze Black is a media artist and producer. She has curated numerous media productions, art events and happenings in and around London during last 10 years. She is one of the co-founders of the networked media arts collective Take2030 and Class Wargames. english only