Markus Kühn (at) on Creativity as an Economic Resource
Dr. Barbara Lippe (at) on Creativity as an Economic Resource
Andy Cameron (uk) introduces Creativity as an Economic Resource
Adam Somlai Fischer (hu) on Creativity as an Economic Resource
Matteo Pasquinelli (it) on Creativity as an Economic Resource
Ela Kagel welcomes the session Creativity as an Economic Resource
Imaginary Futures Keynote: by Richard Barbrook (uk)
Introduction to the Long Conversation by Drew Hemment
Joy Tang (tw) on Ideologies and Futures of the Internet
Juliana Rotich (ke/us) on Ideologies and Futures of the Internet
Florian Rötzer (de) on Ideologies and Futures of the Internet
Q&A with Conrad Wolfram (uk) on Ideologies and Futures of the Internet
Alan N. Shapiro (us) in session Phuturama (Part 2 of 2)
Alan N. Shapiro (us) in session Phuturama (Part 1 of 2)
Discussion on Ideologies and Futures of the Internet
Discussion on session Destination Moon
Wang Yuyang (cn) and Li Zhenhua (cn) on Destination Moon
Agnes Meyer-Brandis (de) on Destination Moon
Pavel Medvedev (ru) on Destination Moon
Rob La Frenais (uk) introduces Destination Moon
Stephen Kovats introduces the session Destination Moon
Keynote: Conrad Wolfram (uk) on Ideologies and Futures of the Internet
Discussion on The Identity of Cultural Enterprises (Part 2 of 2)
Mercedes Bunz (de) introduces Ideologies and Futures of the Internet
Discussion on The Identity of Cultural Enterprises (Part 1 of 2)
Tonia Welter (de) in The Identity of Cultural Enterprises
Panel discussion in Atemporality - A Cultural Speed Control
Alexander Rose (uk) in Atemporality - A Cultural Speed Control?
Mike Sandbothe (de) in Atemporality - A Cultural Speed Control
Siegfried Zielinski (de) in Atemporality - A Cultural Speed Control?
Tapio Mäkelä & Drew Hemment: 21:20 in The Futurity Long Conversation
Jaromil & Gustaff Harriman Iskandar: 16:56 in The Futurity Long Conversation
Victoria Estok & Tapio Mäkelä: 20:36 in The Futurity Long Conversation
Inga Wellmann (de) in The Identity of Cultural Enterprises
Each great brand needs its own culture for identity formation. Do cultural projects analogously have to become a brand too in order to attract a larger audience?
Clemens Lerche (de) in The Identity of Cultural Enterprises
Each great brand needs its own culture for identity formation. Do cultural projects analogously have to become a brand too in order to attract a larger audience?
Matthias Fritsch (de) in The Identity of Cultural Enterprises
Each great brand needs its own culture for identity formation. Do cultural projects analogously have to become a brand too in order to attract a larger audience?
Regine Haschka-Helmer (de) in The Identity of Cultural Enterprises
Each great brand needs its own culture for identity formation. Do cultural projects analogously have to become a brand too in order to attract a larger audience?
Introduction by Ela Kagel to The Identity of Cultural Enterprises
Each great brand needs its own culture for identity formation. Do cultural projects analogously have to become a brand too in order to attract a larger audience?
Keynote: Bruce Sterling (us) on Atemporality
If progress is to go beyond the banal indulgences that give rise to a never-ending array of car shell designs then we need to analyse our present time with regard to its aesthetics and its media. The second conference session is being introduced with Bruce Sterling's Keynote on Atemporality.
Nicola Triscott & Andy Cameron: 19:52 in The Futurity Long Conversation
