Andy Cameron & Julian Oliver: 20:14 in The Futurity Long Conversation
Julian Oliver & Victoria Estok: 20:36 in The Futurity Long Conversation
Denisa Kera & Jimmy Loizeau: 18:46 in The Futurity Long Conversation
Jimmy Loizeau & Regine Debatty: 19:08 in The Futurity Long Conversation
Regine Debatty & Nicola Triscott: 19:30 in The Futurity Long Conversation
Gabriella Giannachi & Steve Benford: 17:40 in The Futurity Long Conversation
Steve Benford & Warren Neidich: 18:02 in The Futurity Long Conversation
Warren Neidich & Denisa Kera: 18:24 in The Futurity Long Conversation
Joy Tang & Jaromil: 16:34 in The Futurity Long Conversation
Maja Kuzmanovic & Joy Tang: 16:12 in The Futurity Long Conversation
Jan Edler & Maja Kuzmanovic: 15:50 in The Futurity Long Conversation
Panel discussion in Which Organisation Are You Shooting The Film For?
Providing a forum in which to discuss concerns regarding artistic projects realised in Asia and shown in Europe, this Salon Talk takes its title from NCS’s recent film Near Mandalay. The relationship between ‘here’ and ‘elsewhere’ provides a point of departure to reflect on the possibilities and impossibilities of shifting spaces as well as on the politics of image production.
Sun-Ju Choi (de/kp) in Which Organisation Are You Shooting The Film For? Part 1 of 2
(Part 1 of 2) Providing a forum in which to discuss concerns regarding artistic projects realised in Asia and shown in Europe, this Salon Talk takes its title from NCS’s recent film Near Mandalay. The relationship between ‘here’ and ‘elsewhere’ provides a point of departure to reflect on the possibilities and impossibilities of shifting spaces as well as on the politics of image production.
Sun-Ju Choi (de/kp) in Which Organisation Are You Shooting The Film For? Part 2 of 2
(Part 2 of 2) Providing a forum in which to discuss concerns regarding artistic projects realised in Asia and shown in Europe, this Salon Talk takes its title from NCS’s recent film Near Mandalay. The relationship between ‘here’ and ‘elsewhere’ provides a point of departure to reflect on the possibilities and impossibilities of shifting spaces as well as on the politics of image production.
Karen Mirza and Brad Butler in Which Organisation Are You Shooting The Film For?
Providing a forum in which to discuss concerns regarding artistic projects realised in Asia and shown in Europe, this Salon Talk takes its title from NCS’s recent film Near Mandalay. The relationship between ‘here’ and ‘elsewhere’ provides a point of departure to reflect on the possibilities and impossibilities of shifting spaces as well as on the politics of image production.
Nyein Chan Su (mm) in Which Organisation Are You Shooting The Film For?
Providing a forum in which to discuss concerns regarding artistic projects realised in Asia and shown in Europe, this Salon Talk takes its title from NCS’s recent film Near Mandalay. The relationship between ‘here’ and ‘elsewhere’ provides a point of departure to reflect on the possibilities and impossibilities of shifting spaces as well as on the politics of image production.
Doreen Mende (de) introduces Which Organisation Are You Shooting The Film For?
Providing a forum in which to discuss concerns regarding artistic projects realised in Asia and shown in Europe, this Salon Talk takes its title from NCS’s recent film Near Mandalay. The relationship between ‘here’ and ‘elsewhere’ provides a point of departure to reflect on the possibilities and impossibilities of shifting spaces as well as on the politics of image production.
Holger Logemann (de) in Salon Sub-Conference PHUTURAMA
PHUTURAMA – Salon Sub-Conference on Speculative and Fictional Design
Fictional, speculative and futuristic design – often staged by the popular mass media – increasingly expands its picture power over the 'real' industrial design.
C-Base presentation in Salon Sub-Conference PHUTURAMA
PHUTURAMA – Salon Sub-Conference on Speculative and Fictional Design
Fictional, speculative and futuristic design – often staged by the popular mass media – increasingly expands its picture power over the 'real' industrial design.
Michael Khaimzon (ru/il) in Salon Sub-Conference PHUTURAMA
PHUTURAMA – Salon Sub-Conference on Speculative and Fictional Design
Fictional, speculative and futuristic design – often staged by the popular mass media – increasingly expands its picture power over the 'real' industrial design.
Oliver Handlos (de) in Salon Sub-Conference PHUTURAMA
PHUTURAMA – Salon Sub-Conference on Speculative and Fictional Design
Fictional, speculative and futuristic design – often staged by the popular mass media – increasingly expands its picture power over the 'real' industrial design.
Christian Heller (de) in Salon Sub-Conference PHUTURAMA
PHUTURAMA – Salon Sub-Conference on Speculative and Fictional Design
Fictional, speculative and futuristic design – often staged by the popular mass media – increasingly expands its picture power over the 'real' industrial design.
Herbert W. Franke (at) in Salon Sub-Conference PHUTURAMA
PHUTURAMA – Salon Sub-Conference on Speculative and Fictional Design
Fictional, speculative and futuristic design – often staged by the popular mass media – increasingly expands its picture power over the 'real' industrial design.
Sandro Gaycken (de) introduces Salon Sub-Conference PHUTURAMA
PHUTURAMA – Salon Sub-Conference on Speculative and Fictional Design
Fictional, speculative and futuristic design – often staged by the popular mass media – increasingly expands its picture power over the 'real' industrial design.
Dmytri Kleiner (de) in session Price and Value of Cultural Work
What is the currency for the cultural enterprise of the future? Cultural producers and artists produce a multiplicity of values, most of which are immaterial and emerge from the social networks of cultural practitioners and their relation to the public: respect, appreciation or knowledge are the main resources.
Baruch Gottlieb (ca/de) in session Price and Value of Cultural Work
What is the currency for the cultural enterprise of the future? Cultural producers and artists produce a multiplicity of values, most of which are immaterial and emerge from the social networks of cultural practitioners and their relation to the public: respect, appreciation or knowledge are the main resources.
I-Wei Li (tw/de) in session Price and Value of Cultural Work
What is the currency for the cultural enterprise of the future? Cultural producers and artists produce a multiplicity of values, most of which are immaterial and emerge from the social networks of cultural practitioners and their relation to the public: respect, appreciation or knowledge are the main resources.
Kate Rich (uk) in session Price and Value of Cultural Work
What is the currency for the cultural enterprise of the future? Cultural producers and artists produce a multiplicity of values, most of which are immaterial and emerge from the social networks of cultural practitioners and their relation to the public: respect, appreciation or knowledge are the main resources.
Jaime Stapleton (uk) introduces Price and Value of Cultural Work
What is the currency for the cultural enterprise of the future? Cultural producers and artists produce a multiplicity of values, most of which are immaterial and emerge from the social networks of cultural practitioners and their relation to the public: respect, appreciation or knowledge are the main resources.
Testing the laser beams. Preparations for From One To Many by Yvette Mattern
Presented as part of transmediale.10, the rainbow of seven parallel laser beams will shine across a three kilometre stretch of central Berlin, from the Haus der Kulturen der Welt (HKW) in the Tiergarten to the landmark Fernsehturm (TV tower) at Alexanderplatz. Here you can see a sketchy video from the first tests with the laser beams.
guest curator Honor Harger talks about Future Obscura
Jan Rohlf about CTM and transmediale
Ela Kagel presents the Free Culture Incubator
artistic director Stephen Kovats talks about FUTURITY NOW!
Marcel Schwierin talks about tm.10 Film&Video Programme
Jem Finer introducing the Long Conversation
- Categories: media video tm.10 festival conference
