In our post-future era of acceleration and densification of information, the state and nature of being live and online becomes one of the crucial definers of our social presence. Response and action are compressed into an existential here and now triggering a durée of continuous digital stimulation. With RESPONSE:ABILITY transmediale.11 explored the emerging qualities of liveness as a fundamental nature of our present digital culture and discusses the abilities, that are required to respond to social, political and economic processes triggered by the intensity of our participation and interaction.
Looking beyond the alarmist scenarios of environmental, social and economic catastrophes to be expected in the wake of global warming, the essential question isn't that of how to avoid these processes, but to examine the need for a fundamental shift in cultural perception with respect to nature, culture and technology. With DEEP NORTH,transmediale.09 focused on the impact and unavoidable consequences of this pending global transformation - the crossing of a point of no return akin to the fall of the Berlin Wall 20 years ago.
Looking beyond the evolving alarmist scenarios of environmental catastrophe prevalent in the global warming debate, transmediale.09 shifts the focus of this challenge to the broader cultural, societal and philosophical consequences that the collapse of the northern ice barrier reveals.
With a considerable amount of irony Ho Tzu-Nyen, one of the most renowned Singapurian filmmakers, borrows the image of Newton's apple as a metaphor for the futile challenge artists face in terms of achieving a creative inspiration (or rather, one after another) of their own accord.
Born and based in Singapore, Ho Tzu Nyen works primarily in the audio-visual medium, his projects traversing the fields of film, visual arts and the performing arts. His videos, paintings, performance-lectures and theatrical projects have been presented at major art exhibitions and festivals.
Graham Harwood has lived and worked with Matsuko Yokokoji (YoHa English translation 'aftermath') since 1994. YoHa's graphic vision, technical tinkering, has powered several celebrated collaborations establishing an international reputation for pioneering arts projects, including the first on-line commission from the Tate Gallery London and work in the permanent collections of the Pompidou Centre, ZKM and Manifesta07.
Vanessa Ramos-Velasquez is an interdisciplinary artist from Rio de Janeiro, Brazil, who has acquired a diverse background along her various global residencies.
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Adam Hyde was for many years a digital artist exploring digital-analog hybrid broadcast systems. He founded FLOSS Manuals, the Book Sprint method, Booki/Booktype book production platforms and is now mostly engaged with exploring new methodologies for collaborative book production.
Les Liens Invisibles is an Italy-based artists duo, their work is an eclectic recombination of pop net culture, reverse engineering techniques, social media subvertising, and media reappropriation.
Kicking off the Marshall McLuhan Centennial transmediale presents one of the Canadian media philosopher's most radical yet relatively under-explored works, COUNTERBLAST. On the occasion of the 'McLuhan in Europe 2011' network initiative, with the kind permission of The Estate of Corinne McLuhan and in collaboration with the Gingko Press (Hamburg) transmediale publish a special hardcover 'limited edition' facsimile of the original 1954 'COUNTERBLAST'.
The second edition of the transmediale parcours, the festival‘s new publication series, is intended to sketch a conceptually meandering path through and along the themes that the festival addresses, picking up on points, manifestos and images supporting the festival‘s conceptual background.