Much of 20th century society strove to depict 2010 as a shining example of a future framed by technological progress and social harmony. But as 2010 arrived it was clear that global society was neither the utopia nor the dystopia traditionally presented. FUTURITY NOW! invited for the creation of new templates for the future and asked not what the future has in store for us, but what it is that we have in store for the future.
In our post-future era of acceleration and densification of information, the state and nature of being live and online becomes one of the crucial definers of our social presence. Response and action are compressed into an existential here and now triggering a durée of continuous digital stimulation. With RESPONSE:ABILITY transmediale.11 explored the emerging qualities of liveness as a fundamental nature of our present digital culture and discusses the abilities, that are required to respond to social, political and economic processes triggered by the intensity of our participation and interaction.
Marcel René Marburger studied Art History, German Literature and Philosophy at the University of Cologne with a PhD on theoretical art relevance in Vilém Flusser’s writings.
With a considerable amount of irony Ho Tzu-Nyen, one of the most renowned Singapurian filmmakers, borrows the image of Newton's apple as a metaphor for the futile challenge artists face in terms of achieving a creative inspiration (or rather, one after another) of their own accord.
Born and based in Singapore, Ho Tzu Nyen works primarily in the audio-visual medium, his projects traversing the fields of film, visual arts and the performing arts. His videos, paintings, performance-lectures and theatrical projects have been presented at major art exhibitions and festivals.
Vanessa Ramos-Velasquez is an interdisciplinary artist from Rio de Janeiro, Brazil, who has acquired a diverse background along her various global residencies.
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Adam Hyde was for many years a digital artist exploring digital-analog hybrid broadcast systems. He founded FLOSS Manuals, the Book Sprint method, Booki/Booktype book production platforms and is now mostly engaged with exploring new methodologies for collaborative book production.
Les Liens Invisibles is an Italy-based artists duo, their work is an eclectic recombination of pop net culture, reverse engineering techniques, social media subvertising, and media reappropriation.
The Inverted Cone is a new installation, premiering at transmediale.10, which uses a constellation of projection devices to create a condition of atemporality, where our memories of the past, and our experience of the present, collide. When participating in the heuristic process of engaging with this work, the viewer automatically becomes a media-archeologist, experiencing distinct chronologies simultaneously.
Kicking off the Marshall McLuhan Centennial transmediale presents one of the Canadian media philosopher's most radical yet relatively under-explored works, COUNTERBLAST. On the occasion of the 'McLuhan in Europe 2011' network initiative, with the kind permission of The Estate of Corinne McLuhan and in collaboration with the Gingko Press (Hamburg) transmediale publish a special hardcover 'limited edition' facsimile of the original 1954 'COUNTERBLAST'.